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Mission: Impossible – Fallout
BMW teams up with Paramount Pictures’ new theatrical film, “Mission: Impossible – Fallout,” with the BMW M5 appearing alongside Tom Cruise as Ethan Hunt in the action-packed film with spectacular car chases and stunts.
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Munich – WEBWIRE – Friday, June 8, 2018
The BMW Group announces its role as the exclusive worldwide automotive partner of the next installment of Paramount Pictures’ and Skydance Media’s legendary action film franchise, “Mission: Impossible – Fallout,” opening in cinemas around the world from 27 July. BMW has been a partner of the iconic film series since 2011, and in the upcoming film, BMW once again provides a range of vehicles and global marketing in support of the release.
The new movie finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong. Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the direct.
The team of agents is reinforced by the new BMW M5 and a number of other BMW models, including the 1986 BMW 5 Series Sedan, the BMW 7 Series Sedan and the BMW R nineT Scrambler.
Styled with characteristic BMW M Performance Parts, such as a black kidney grille and carbon-fibre mirror caps, the BMW M5 makes an impressive appearance in the film. With its powerful 4.4-litre V8 biturbo engine with TwinPower Turbo technology and 441 kW/600 hp (combined fuel consumption: 10.5 l/100 km; combined CO2 emissions: 241 g/km) and the newly-developed high-performance M xDrive all-wheel drive, the BMW M5 makes sure that Cruise’s Ethan Hunt always has the best-possible traction and superior driving dynamics to keep him ahead of his enemies.
Rep Sheet Roundup: Mayim Bialik Signs With Icon PR
6:00 AM PDT 5/21/2018 by Rebecca Sun
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THR’s at-a-glance look at the week in representation news
Who got signed, promoted, hired or fired? The Hollywood Reporter’s Rep Sheet rounds up the week in representation news. To submit announcements for consideration, contact rebecca.sun@thr.com.
Another big pop-culture wedding
Mayim Bialik has signed with Icon PR. Her Big Bang Theory character, Amy, wed Jim Parson’s Sheldon in the hit CBS sitcom’s 11th-season finale May 10.
One guy named Mo
Actor Mo McRae has signed with Anonymous Content. He will soon be seen both on the big screen in Universal/Blumhouse’s The First Purge and on the small screen on season two of HBO’s Big Little Lies. McRae previously worked with Reese Witherspoon in Wild, and he was a series regular on Fox’s Pitch and TNT’s Murder in the First. He recurred on Fox’s Empire, Showtime’s Ray Donovan and FX’s Sons of Anarchy, and his other credits include HBO’s All the Way and Starz’s Survivor’s Remorse. McRae continues to be represented by CAA.
Call him Big Poppa
Unsolved: The Murders of Tupac and the Notorious B.I.G. star Wavyy Jonez has signed with Abrams in all areas. The newcomer was chosen from an open casting call to portray slain rap icon Christopher “Notorious B.I.G.” Wallace in the USA drama. In addition to continuing his work in film and on television, Abrams will help the Long Island native explore opportunities in commercials, digital content and endorsements. Jonez continues to be represented by manager Olivia Reed at First Access Entertainment.
Gilded GLOW
Actress, comedian and singer-songwriter Jackie Tohn has signed with Artists First for management. After appearing in 10 episodes of Netflix’s GLOW as Melrose, Tohn was promoted to series regular for the upcoming second season. She also portrayed the legendary Gilda Radner for the streamer’s National Lampoon biopic A Futile and Stupid Gesture in January. Tohn, who continues to tour as both comic and musician, also has appeared in CHIPS, Bad Roomies, Sisters, It’s Always Sunny in Philadelphia, The Good Place, Rules of Engagement, House of Lies and Castle. She continues to be represented by CAA and attorney Derek Kroeger of Myman Greenspan.
Brothers in film
Sibling filmmakers David and Alex Pastor have signed with Verve. In addition to creating the Syfy drama Incorporated, they wrote the Ben Kingsley- and Ryan Reynolds-starring Self/Less, directed by Tarsem Singh, and both wrote and directed Paramount Vantage’s Carriers and Wild Bunch’s The Last Days.
Ex-Billionaires
Contemporary music agents Andrew Colvin and Adam Voith have left Billions for WME, bringing with them a roster that includes Bon Iver, Dawes, Brett Dennen, Robert Ellis, Jason Isbell, Lucero, Kevin Morby, Mumford & Sons, Erin Rae, The Staves, Justin Townes Earle and Vampire Weekend.
The duo are the latest to join WME’s growing contemporary music unit in Nashville, a move that began with the hiring of Scott Clayton from CAA in November to co-lead the regional office and also head the rock division agency-wide.
Under new management
Management/production company The Rosenzweig Group has signed:
Troy Gentile, who plays Barry on ABC’s The Goldbergs. He continues to be represented by attorney Lawrence Kopeikin at Morris Yorn.
Emmy winner Glynn Turman, who recently recurred as Nate Lahey Sr. on ABC’s How to Get Away With Murder and previously recurred on Showtime’s House of Lies as the father of Don Cheadle’s character. Glynn continues to be represented by SMS Talent.
Larrain Brothers Appoint Geoff Stier as CEO of Fabula in North America (EXCLUSIVE)
Move the latest growth milestone for the Chilean Academy Award winners
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Fabula’s Pablo and Juan de Dios Larraín, producers of Academy Award winner “A Fantastic Woman,” have appointed seasoned former Paramount exec Geoff Stier as CEO of Fabula in North America.
Paramount Pictures EVP of production from 2009, where he developed and managed feature projects such as “True Grit” and “World War Z,” Stier will begin to head up Fabula in North America from the second week of April, still based out of Los Angeles where Chile’s Larraín brothers established a production company last year.
Fabula’s first full-on U.S. production, a remake of “A Fantastic Woman’s” director Sebastian Lelio’s “Gloria” starring Julianne Moore and directed by Lelio himself, went into production late last year. Stier will report to the Larraín brothers.
“We have found a wonderful partner who is brilliant, great fun and an extraordinary professional, has a great background and sensibility and understands what we want to do,” said Pablo Larraín, director of “No,” “The Club,” “Neruda” and “Jackie.”
He went on: “What says a lot about us is what we have done and the movies we have made. Geoff has been involved in great movies over the years.”
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Pablo and Juan de Dios Larrain's Fabula Sets Up U.S. Company (EXCLUSIVE)
Juan de Dios Larrain added: “We are the luckiest men on earth to have found Geoff. He is very experienced, very cultured, has great taste.”
In Stier, Fabula taps into the knowledge and connections of an executive who “understands the logic of the Hollywood studio system,” as Juan de Dios Larraín commented, having served from 2006-09 as Paramount Vantage SVP, production, developing and managing films such as “Into the Wild” and “There Will Be Blood.”
Stier’s curriculum stretches back, however, to a decade at Stanley Pollack and Anthony Minghella’s Mirage Enterprises over 1992-2003, where he developed “The Talented Mr. Ripley,” “Cold Mountain” and “Sense and Sensibility,” among many other titles.
20th Century Fox via Polygon
What if Star Wars never happened?
Imagining a world where George Lucas’ space fantasy didn’t revolutionize Hollywood
By Kevin Lincoln Jun 7, 2018, 10:03am EDT
Despite the decades that have passed since its release, it would be hard to argue that any film is as relevant to the way movies are made today than George Lucas’ 1977 space opera, Star Wars: Episode IV - A New Hope.
Kevin Feige, the Marvel head honcho who presides over what is the most lucrative and successful film franchise currently operating — including Star Wars — talks openly about how much of an impact the original trilogy had on him. The list of filmmakers who directly crib from Lucas would be like a census of Hollywood royalty. And the subsidiary industries that Star Wars has spawned, from toys to novels to video games, has changed how the entertainment business works.
But when you eliminate the biases that come from living in a Star Wars-addled world and look back at the circumstances of its creation, what’s far more surprising is that the film got made at all. That a USC grad in his early 30s best known for a coming-of-age story about small-town America would conjure an original sci-fi cinematic universe out of whole cloth, when the precedent for such a thing simply did not exist. Investors paid for his bizarre, childlike vision. People went to see it.
The release of Solo: A Star Wars Story just five months after that of The Last Jedimakes it clear that Star Wars has never been more ubiquitous than it is now; in fact, if Solo’s box office is any indication, audiences might actually be going a little sour on Disney’s attempts to turn the property from a touchstone of childhood and nostalgia into a never-ending modern-day cinematic universe like Marvel and its imitators. Considering that tension, it makes sense to wonder: What would the last four decades look like if George Lucas had never made Star Wars at all?
Here’s one possibility.
GREASE Is Still The Word! 40th Anniversary Edition Featuring Fully Restored Picture and Sound and New Bonus Content
TV News Desk May. 24, 2018
It's got a groove, it's got a meaning...and it's still a cultural phenomenon 40 years after its original release (June 16th). The iconic celebration of high school life in the 1950s,GREASE is the way you'll be feeling with a new 40th Anniversary Edition on 4K Ultra HD, Blu-ray, DVD and Digital April 24, 2018 from Paramount Home Media Distribution.
Featuring an explosion of song and dance, as well as star-making performances from John Travolta and Olivia Newton-John, GREASE made an indelible impact on popular culture. 40 years later, the film remains an enduring favorite as legions of new fans discover the memorable moments, sensational soundtrack and classic love story. Boasting unforgettable songs including "Greased Lightnin," "Look At Me, I'm Sandra Dee," "Summer Nights," "Hopelessly Devoted To You," "Beauty School Drop Out" and, of course, "Grease," the film is a TIMELESS feel-good celebration.
Paramount worked with director Randal Kleiser to restore GREASE to its original vibrancy with the highest quality sound, picture resolution and color. The original negative was scanned and received extensive clean up and color correction using previously unavailable digital restoration tools such as high dynamic range technology. In addition, the audio was enhanced from a six-track mix created for an original 70mm release, giving the music more clarity. The resulting picture and sound create an exceptional home viewing experience.
The GREASE 40th Anniversary Edition 4K Ultra HD and Blu-ray Combo Packs include the fully RESTORED version of the film plus an all-new, in-depth exploration of the little-known origins of what would become a Broadway play and then a feature film and worldwide phenomenon. "Grease: A Chicago Story" features new interviews with writer Jim Jacobs and original cast members of the Chicago show. In addition, the discs include the original song the title sequence was animated to and an alternate ending salvaged from the original black & white 16mm work print discovered by director Randal Kleiser.
Both the 4K Ultra HD and Blu-ray Combo Packs also feature more than an hour of previously released bonus material, including a sing-along, vintage interviews with the cast, deleted scenes and more. Plus, the Blu-ray Combo comes in collectible packaging with 16 pages of images laid out like a high school yearbook. In addition, a Grease Collection will be available in a Steelbook Locker, which includes the 40th Anniversary Blu-ray of Grease, as well as Grease 2 and Grease: Live! on Blu-ray for the first time.
GREASE 40th Anniversary Blu-ray Combo Pack
Renaissance Festival director charged with raping festival photographer
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By Deena Winter dwinter@swpub.com
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Jun 15, 2018
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Carr Hagerman
Updated 7:27 p.m. Friday
The Renaissance Festival's artistic director, Carr L. Hagerman, a 59-year-old Richfield man, is charged with raping a photographer working at the festival on one of its final weekends in September.
Hagerman has played the "Rat Catcher," a vagabond who hurls insults at passersby, for more than 40 years.
Hagerman told police he knew there were several allegations against him, and denied raping the woman, according to court documents.
According to the charging documents, on Oct. 30, the Scott County Sheriff's Office was notified that a woman was raped on about Sept. 23 while working at the Renaissance Festival, but she declined to cooperate with authorities, saying Hagerman had threatened her and she feared for her life.
Then on Nov. 5, a Scott County sheriff's deputy got a call from a person saying she was trying to help a victim report a rape at the Renaissance Festival who feared for her safety and wanted to speak to an investigator in person. Two days later, a detective met with the victim at North Memorial Medical Center, where she was still reluctant to speak with him and "emotionally distraught." She said the incident took place on the second-to-last weekend of the festival, Sept. 23 or 24, while she was working part time as a photographer at the festival.
She said Hagerman had offered to bring her to the upstairs of the "Bad Manor" so she could take photos from that vantage point, and led her to a drum storage room, where he noticed she was wearing a pink ribbon signifying a support group for women at the festival that was an offshoot of the #MeToo movement.
"Defendant became angry at seeing the ribbon and ripped it off of victim," the complaint says. "Defendant then slammed victim's head against the wall, calling her a 'bitch' and a 'whore.' Defendant told victim she was going to get what she deserved and took some type of pill."
According to the complaint, he repeatedly raped and sodomized her with a drumstick while biting her and hitting her head against the wall and saying things like, "I will do whatever I want with you," and "you are my piece of meat."
He also said,"Remember, I know where you live ... I will f**ing kill you and destroy your life if you say anything." The victim didn't recall how the assault ended because she blacked out and lost consciousness. When she came to, her underwear and pink ribbon were gone, and she'd sprained her hand trying to get the man off her.
She was seen at Park Nicollet on Sept. 25 for the hand injury, and her hand was placed in a splint.
On Nov. 29, the detective went to Hagerman's home to speak to him, and he said he was aware several people had made allegations against him. Hagerman said he'd only spoken to the victim a few times, they didn't have a sexual relationship and they'd never been alone together. When the detective said a rape was alleged, Hagerman said he no longer wanted to speak to the detective.
Another festival employee said he saw Hagerman enter the Bad Manor with a person he couldn't see, and later heard what sounded like banging coming from the drum room, whose door was locked. He said he knocked on the door and asked if everything was OK, and heard Hagerman say "I got this." The man didn't think anything of it and left.
Another person said during the final weekend of the festival, she noticed the victim became nervous and withdrawn, and the victim told her about the incident.
Hagerman is charged with two felony sex crimes, which each carry a maximum penalty of 30 years imprisonment and a $40,000 fine. They carry a mandatory minimum sentence of 144 months in prison.
He started out as a street performer in 1974 touring with Renaissance festivals as a "walkabout street comedian," according to his website, which says he annually "trains and develops over 400 entertainers, musicians and costumed performers for the Minnesota Renaissance Festival" and runs the Top Performer Academy.
KESHA RONA COGGINS'
SECOND FILM ENDEAVOUR
SNEERED BY HOLLYWOOD...
PARAMOUNT PICTURES
SECOND TIME LUCKY LANDS HER AND HUSBAND TOP SPOTS IN THE FILM STUDIO AND HOLLYWOOD ROYALTY
Paramount Chairwoman 2008- Present
The decade from 2008 launched by the Mr and Mrs Brad and Kesha Pitt...
The Helm of Hollywood hers from 2008 but by 2018 husbands Brad Pitt, Christopher Chace Crawford and even Douglas 'Ollie' Booth...
The original Vintage Row namesake taken over by the Paramount alliance that saved the entire film industry from the pedophilia fleecing it and taking over the Paramount film studio called Paramount Pictures.
Netting $2 billion in the first two week of the Paramount Vantage... with just the mentioned
of founder's affiliation and name association to Paramount Pictures. A absolute first! And... the carryover of Excalibur-one generated revenue and income $1.8 trillion and three-years later $1.8 billion and counting...
MRS KESHA PITT ... PARAMOUNT CHAIRWOMAN AND CEO OF PARAMOUNT VANTAGE...
ORDERS SCHEDULED MEETING WITH THE LATINOS FOR FUTURE ENDEAVOURS...
AN ABSOLUTE!
ON THE FUTURE PROSPECTS OF A FILM DEAL OR EVEN DISTRIBUTION... WORLDWIDE.
CREDIT: NATIONAL HISPANIC MEDIA COALITION
Two Latino civil rights organizations on Saturday will stage a protest outside Paramount Pictures in an effort to pressure the studio to increase Latino representation in its films.
Leaders for the National Hispanic Media Coalition (NHMC) and the National Latino Media Council are focusing their efforts on Paramount, citing statistics from USC’s Annenberg Inclusion Initiative and their own research showing Paramount had the fewest number of Latinos in films. The lack of representation, however, is endemic across all of Hollywood. Fewer than 7% of speaking characters in the top 100 films over an 11-year period spanning from 2007 to 2017 were Latino, according to the USC report published last month. That’s up from fewer than 3% the year before.
Alex Nogales, NHMC president, said in an interview Friday that his organization decided to target Paramount after an unsuccessful meeting with studio executives earlier this summer to reach a memorandum of understanding. Nogales said those agreements help set goals in writing in how the studio would boost Latino representation in its films.
Studio Boss confesses as plan to send up children halted by American black prostitution...
ring...constance garry and Amira coggins are
MY ENEMIES
AMIRA COGGINS ASSAULTED KESHA RONA COGIGNS VILENTLY AND SHE HAD THE INTENT TO MURDER ... AFTER TEH STRUGGLE KESHA WHO BECAME MRS KESHA PITT WOULD LEARN OF HER OBSESSION WITH HER HOLLYWOOD ACTOR AND SHE AND JENNIFER JEFFES PURSUIT OF HIM...
EVEN MORE THAT THEY BOTH ARE STEALING LARGE SUMS OF HER HOLLYWOOD CAREER REVENUE CONSTANCE ATTEMPTED TO DIMENISH VIA HER IMAGERY CLAIMS SHE TOOK TO DURHAM PYSCHRISTRIST AND WATCHED THEM MENTAL HOSPITALISATION DISCHARGE WITHOUT DIAGNOSIS...
THEY BOTH REQUIRE BEING IVC -ED AND LOCK AWAY FROM LIFE.. BOTH FROM 80'S SQUANDERING'S THEFTS AND PROSTITUIONT OF MYSELF ... EVEN WORST THE SQUANDING OF MY FORTUNE WHIHC NEITHER EVER EVER PLANNED ON TELLING KESHA AKA ME OF OR HANDING OVER THE CHILDREN THEY MADE TO SERVITDUE THEIR REPAYMENTS... WITHOUT MY PERMISSION... AMIRA COGGINS NOT GOING TO HOLLYWOOD EVER!
HER PYSCHO HOLLYWOOD FALLEN KIN AFTER BRAD PITT AFTER MAKING ONE OF THE BABIES THEN CLAIMING THEY MADE ON OF HIS...
STEALING OUR HOMES AND SHOVING OUT OUR WEALTHY LIVN CHILDREN IS WHAT AMRIA COGGINS WHO SHE NEVER ELECTED TO SAVE... BUT HEARS OF THIS SILLY CLAIM JSUT THE SAME.... AND CONSTANCE WHOM SHE WILL NEVER KNOW EVER AGAIN OF COURSE SHE CHOSES TO SAVE HER HUSBNADS.. AND NOT INCLUDING DAVID BECKHAM...
AND HER TEAM HAVING BEEN DOIN... MRS KESHA PITT IGNORS BLACKS OF AMERICAN BIRTH AS THEY HAVE ALWAYS BEEN HORRIBLE TO HER .. NOW SHE HEARS THEY ALLEGED TO TALK TO HER ... THE MALES ARE MUCH KINDER AND EVEN KIND TO HER CHILDREN THESE ARE NIGERIANS... FEROM LONDON VOER HERE... RUINER HER AND BRAD PITT!
CHOIMA ANAGHARA...
Nick Meyer leaves Paramount Vantage, Guy Stodel stands in
BY JEREMY KAY5 DECEMBER 2008
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Paramount Vantage president Nick Meyer is leaving the company and executive vice president of production and acquisitions Guy Stodel will step in as the division shifts its focus to acquisitions and international productions.
The shock departure comes as part of sweeping cuts across the Paramount fold announced earlier in the day [December 4] by studio chairman and CEO Brad Grey, spurred by a broader initiative to cut 7% of jobs across parent company Viacom.
Stodel, who arrived in July following the demise of New Line Cinema, where he served as senior vice president of acquisitions and co-production, will report to Paramount Film Group president John Lesher.
Meyer was named sole president of Paramount Vantage in January after Lesher's promotion to his current post. A much admired executive and former head of Lionsgate International, Meyer joined Vantage as co-president alongside Lesher in 2007.
Meyer is believed to have two and a half years remaining on his contract and insiders speculated that his departure was a political move following a string of duds for Vantage at the box office this year, among them How She Move, Son Of Rambow, American Teen and The Foot Fist Way.
Paramount sources said Stodel was not replacing Meyer but did not elaborate on whether he would assume the title of president.
The international sales division of the company which was started by Meyer with Alex Walton at the helm will continue to operate, and has more than a year to run on its contract to sell product from Overture Films.
It remained unclear whether there would be further cuts from Vantage as personnel across Paramount in IT, business and legal affairs, accounting, corporate and government affairs, home entertainment, human resources, production and studio lot operations faced the axe.
The news comes as Universal Pictures chiefs Marc Shmuger and David Linde said that 3% or approximately 70 staff would be leaving Universal as part of a 500-strong cull at NBC Universal.
Will replace Amy Israel as exec vp prod'n, acquisitions
In the first major shake-up since Paramount brought marketing, distribution and physical production operations for its specialty division Paramount Vantage into the studio, New Line veteran Guy Stodel is replacing Amy Israel as executive vp production and acquisitions.
Vantage, which had been aiming for 10-12 films per year, is scaling back to four to six annual releases, a mix of auteur-driven fare, thriller and horror genre titles and low-budget comedies.
"Guy's expertise fits in perfectly with that vision," Paramount Film Group president John Lesher said. "We want this to continue to be both a prestige label and a profitable one, and we want to be in the Vantage business. Hiring Guy shows our commitment to this (specialty film) space."
In his previous post as New Line senior vp acquisitions and co-production, Stodel handled such genre fare as the two most recent "Texas Chainsaw Massacre" movies along with such films as Michel Gondry's "Be Kind Rewind," Mike Bender's "The Upside of Anger," and Alejandro Amenabar's "The Sea Inside."
"Guy's creative instincts and success at spotting unique and dynamic material makes him a fantastic addition to our team," said Vantage president Nick Meyer, to whom Stodel will report.
Senior vp development and production Geoff Stier is expected to remain on board. While Vantage will retain its development, business and sales operations, staff cuts are anticipated in most departments at both Paramount and Vantage in the coming months.
Vantage's marketing/distribution was taken over by Paramount in June.
Lesher, who had strong ties to talent as a former agent with Endeavor, nurtured low- to midrange-budget, star-driven projects during his time as head of Vantage. But it is unclear how many of those types of projects --which brought prestige to the studio at the expense of high marketing costs --will remain at the retooled Vantage. "Obviously I know a lot of talent," Lesher said. "Since both divisions report to me, why shouldn't the best talent work at both of them?"
Israel, a former Miramax exec, was hired by Lesher in January 2006 shortly after he launched Vantage.
"It's been a great honor to help build Paramount Vantage from the ground up over the past couple of years, overseeing our tremendous production slate from 'No Country for Old Men' and 'There Will Be Blood' to 'Defiance' and acquiring a range of movies from 'An Inconvenient Truth' (to) 'American Teen,' " Israel said.
"Amy has done a wonderful job jump-starting the department and positioning us for the future," Lesher added. "She is a talented executive and producer; her taste and expertise has contributed to many of the successes that Vantage has achieved in our short history. We look forward to working with her on projects in the future."
In a rough spring for specialty divisions, Vantage was absorbed into Paramount proper, after Time Warner folded New Line into Warner Bros. and closed shop at Warner Independent Pictures and Picturehouse.
Gregg Goldstein reported from New York; Jay A. Fernandez reported from Los Angeles.
A Paramount disad-Vantage
August 25, 2009|PATRICK GOLDSTEIN
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It was a year ago July that Paramount Vantage laid off the majority of its 100 or so staffers, signaling the end of the studio's short-lived specialty division that brought home a host of Oscar nominations but managed to lose loads of money along the way. Finally this June the studio axed Vantage founder John Lesher, who'd enjoyed an all-too-brief reign as Paramount's top creative executive after leaving Vantage behind.
It's one thing to get rid of your top executives and hard-working staff. But what do you do about all the movies they made and acquired along the way? With little fanfare, at a time of year when the studios customarily clean their shelves of stale product, Paramount is quietly dumping its last remaining Vantage theatrical releases -- some of them so quietly that the studio isn't even opening the movies in New York or Los Angeles.
No one at the studio is talking -- I got a polite brushoff from Rob Moore, the studio's vice chairman who oversees its marketing and distribution, among other things. But it wasn't hard to piece together what is happening. In a four-week period that began earlier this month, Paramount is unloading three Vantage films, with only one of them, "The Goods: Live Hard, Sell Hard," getting more than a token release. It's the oldest story in town. When a studio jettisons a top executive or folds a specialty division, the movies belonging to the previous administration become instant orphans, without a champion willing to lobby for the kind of big marking money needed to support a major film release.