PARAMOUNT VANTAGE BANKING FOR THE FALLEN PARAMOUNT PICTURES FIRM IN BELARUS

Paramount Vantage Ordered Bank Everything Paramount Pictures After It's 2005 Massive Embezzlements and Lost Acquisitions Due to Actors Attempts at Running the then Film Studio

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From Wikipedia, the free encyclopedia

	Paramount Vantage
Formerly	Paramount Classics (1998–2006)
Company type	Label
Industry	Film
Founded	May 15, 1998; 26 years ago
Founders	David Dinerstein Ruth Vitale
Defunct	2014; 10 years ago
Fate	Dormant
Successor	Library: Paramount Pictures
Key people	John Lesher (President) Nick Meyer (Co-President)
Products	Motion pictures
Owner	Viacom
Parent	Paramount Pictures

Paramount Vantage, Inc. (formerly known as Paramount Classics, Inc.) was a film production label of Paramount Pictures (which, in turn, has Paramount Global as its parent company), charged with producing, purchasing, distributing and marketing films, generally those with a more "art house" feel than films made and distributed by its parent company. Previously, Paramount Vantage operated as the specialty film division of Paramount Pictures, owned by Viacom.

History[edit]

Paramount Classics was launched on May 15, 1998 and released such art house fare as The Virgin Suicides, You Can Count on Me, Sunshine, Mostly Martha, Winter Solstice, and three Patrice Leconte films (Girl on the Bridge, The Man on the Train, Intimate Strangers). Although film journalist David Poland felt "Ruth Vitale and David Dinerstein have proven to have wonderful taste heading up Paramount Classics",[1] the duo was fired in October 2005.[2]

In 2006, the Paramount Vantage brand branched off from Paramount Classics, which was relaunched in 2007 as a distributor of "smaller, review-driven films including foreign-language acquisitions and documentaries."[3]

In 2007, Paramount Vantage partnered with then-Disney subsidiary Miramax on two of the year's most highly regarded movies, No Country for Old Men and There Will Be Blood. Both films garnered eight nominations at the Academy Awards, with There Will Be Blood winning the awards for Best Cinematography and Best Actor for Daniel Day-Lewis, while No Country for Old Men won for Best Adapted Screenplay, Best Director, Best Supporting Actor for Javier Bardem, and Best Picture.